The story takes place literally moments after the first game, in which Michael Ford and his alien friend (inside an ancient wonder-machine) go through a conduit after the evil manipulator John Adams, who is actually of an ancient alien race called the progenitors, which have manipulated different countries for centuries.
Adams’ goal is revealed to be to take
the power of the other progenitors for himself and take over the world with it
and his army of humans and cloned aliens from the last game. To prevent that from happening, Ford has to
get to them first, and thus the chase is on.
The story is fairly well done. The plot moves at an even pace, with humorous exposition from dialogue between Ford and his spherical friend Prometheus to fill the player in on what’s happening. However, this game does not fill you in on events from the previous game. If you don’t know what happened in The Conduit, you’re going to be a bit lost.
|This is the very first thing you see after the brief recap of the first game's last moment. Lost?|
In fact, the entire game’s story isn’t very self-contained. Plot threads and characters from the last game are used and resolved here, but Conduit 2 creates more to be resolved in future games. Whether or not that’s a bad thing depends on how long you want the overlying story of the Conduit games to go on for. I don’t have a problem with that, but I do have a problem with how it handles the finale. Even though the story is of standard length for an action game at 6 hours, it feels like it cuts itself off. After you find a few of the progenitors, the final boss fight just seems to come out of the blue, as if they just ran out of time and got straight to it with no buildup. It’s a fun boss battle, but also abrupt and a little too easy.
What elevates the writing in Conduit 2 is its ones liners. If you like Arnold Schwarzenegger or Bruce
Campbell one-liners and think they’d be ironically entertaining if spoken by a
man who thinks he’s cooler than he is, then you might as well go get Conduit 2
right now because they are seemingly omnipresent. Michael Ford practically says one-liners like
it’s some kind of other language, and all the game’s equippable loadout
upgrades have some kind of snarky comment annotation at the end of each of them;
for example, the annotation for a healing grenade says “Because we couldn’t
teach bullets to love.”
|Harder than that thing though.|
Even the achievements are able to present themselves as one-liners. At one point Michael has to take the “soul” of a progenitor before
can, and as soon as I snagged it with the ASE, a little check box window came
up that read, “Your soul is mine”. The plot
itself isn’t great, but it’s pretty fun for what it is, and the self-aware
sense of humor is a nice touch. If
there’s any part of this game’s story I liked more than any other, it’s the
ending (not the finale). I notice other
people who have reviewed this game have criticized the ending for being another
cliffhanger, but I think it’s probably one of the best cliffhangers ever with
one of the most awesome and iconic images ever seen in a game since
mecha-Hitler from Wolfenstein 3D. You’ll
just have to play it to see it.
You certainly can’t fault Conduit 2 for its presentation. The graphics are nothing short of fantastic; High Voltage Software’s Quantum3 engine is in full effect. The lighting effects, particle effects, character models, and environments of Conduit 2 are all a splendor to look at. The technical aspects combined with some good art direction makes Conduit 2 the second best looking game with realistic graphics on the Wii, beaten only by Resident Evil: The Darkside Chronicles, and even then it’s a little better than Capcom’s rail shooter in some ways. One might think that visuals of such high quality would come with a cost, like regular slowdown or glitchy environments, but throughout the entire campaign, I ran into only a few minor graphical hiccups. The game is able to keep the graphics consistent and smooth even when the action heats up, and Conduit 2 is exactly how a game of this genre should look. High Voltage Software should pat themselves on the back for their accomplishment. I have no complaints here.
|My body overflows with the almighty power of the Quantum3 engine!|
As for the music, there’s not much to say. It all comes out clearly, and it does what it’s supposed to, but there’s not anything notable. It’s just… there (not that that’s a bad thing). The sound effects are great though. The sound made when you get a headshot on an armored enemy is one that distinguishes itself from other shooters, where a headshot often gives off a “splurtch” when you get a head shot; instead it makes more of a “k-thunk”. Each individual weapon in the game’s impressive arsenal has its own firing and reload sound effect that all sound exactly as they look like they should. The voice actors need be given credit too. All the characters have great actors that display their emotion and tone just right, particularly with Prometheus. The way he and Ford (voiced by the same guy who does Duke Nukem, no less) talked to each other reminded me of Seargent Cortez and Anya in the FPS classic Timesplitters: Future Perfect. Even the enemies have great voices, with lots of different lines, threats, and death screams of varying levels of cheese to keep shooting them from becoming monotonous. Like the graphics, there isn’t really anything for me to complain about audibly.
But the gameplay and controls are the core of and good game, I expected nothing less than perfection from a Wii FPS after Black Ops. They’re fully customizable with lots of different options and ways to play, including the classic controller and the Wiimotion Plus accessory, which I have heard makes the controls even better. High Voltage Software thought of everything. I remember seeing someone play Conduit 2 before it came out and saw that each time they reloaded, the screen went blurry as they did (so as to simulate the character focusing on reloading). I thought that would horribly annoy me when I played it, but it turns out there’s an option to turn it off. I also thought it would be awkward to have to thrust the Wiimote forward to perform a melee attack, but it turns out there’s another control style that assigns the melee to the down directional arrow, so that pretty much got rid of the only complaints I could have had about the game’s control setup.
Gameplay in the main missions consist of Half Life 2-esque semi-linear levels in which Ford goes from one point to another, shooting down anything in his way. That should sound like it’s a tedious game, but like Half-Life 2, Conduit 2 avoids tedium through its variety. The range of enemies, weapons, settings, and the 3 boss fights makes sure that there’s never a dull moment, and it all flows seamlessly together with very few breaks in the gameplay for cutscenes. The fun doesn’t end with the story though. There are also big exploratory maps in which you can use the ASE to track down objects for multiplayer while having to defend yourself from occupying forces. I found these action-packed scavenger hunts to be a really fun diversion from the main story, but I was somewhat saddened when I got almost everything in a short time. More on that later.
This brings us to what most people were looking forward to in Conduit 2: the multiplayer. The multiplayer in the game is decent, but nowhere close to being as good as the Wii version of Call of Duty Black Ops. Black Ops has more modes, loadout customization, loadout slots, and weapons (including different grenades and equipment). Black Ops also has killstreaks, the major factor that makes every match an unpredictable one. But even if Conduit 2 wasn’t going to match Black Ops’ content, they could have at least matched their features. In Conduit 2’s multiplayer, you can only voice chat with people you share those stupid, cumbersome, arbitrary friend codes with. Why? Both Call of Duty: Black Ops and Monster Hunter Tri allowed for voice chat with strangers. What’s stopping Conduit 2? The two big things Conduit 2 has going for it that Black Ops doesn’t have are its character image customization (of which there is not as much as I’d like) and weapon variety.
|Human detected. Prepare termination procedure.|
The different weapons you can use in Conduit 2 are all very unique in their own way and utilize some sort of secondary fire (much like in Dead Space) for good measure. The secondary fire button of the conventional weapons is usually just iron sight/scope aiming, but for the more complex ones, there’s an extra layer of strategy. For example, the hive cannon ordinarily shoots bees in a rather erratic spread shot fashion wherever you aim it, much like a machine gun when not looking down the sights. However, its secondary fire shoots out a pheromone ball that can stick to any surface, including a player. Once the pheromone is in place, shooting the hive cannon will have the shots home in on it in a stream of bees for more efficiency and accuracy. To name another example, there is an interesting weapon called the dark star. It shoots semi-automatic energy shots that “tag” anyone they hit. If someone dies while tagged (assuming the wielder doesn’t), the dark star’s wielder can activate the secondary fire to shoot a big black ball. When the ball collides with something, it turns into a black hole and slowly moves toward the tagged players’ corpse while sucking in anyone around it. And that’s not even getting into the weapon that shoots through walls, the weapon that fires an energy bola, and a weapon that catches bullets. Conduit 2’s were clearly fun to make, and that fun carries onto their use.
|It's called the Dark Star. It..... sucks.|
The different game modes in the online play kept me coming back for a while. There are 4 different categories: team games, free for all games, hardcore team games, and hardcore free for all games. They’re all fun and have their own unique game modes to play, but I personally prefer being on a team, reviving downed buddies more than I do holding my own. Plus the maps chosen for team games are usually far bigger than in free for all, allowing for more freedom and tactical approaches. The online multiplayer kept me busy for a long time, but eventually it wore off. Now the only game mode I can find anyone playing on is for big team matches. I really wish more people could stimulate the online community to make things better for everyone else, but I supposed this is somewhat inevitable.
Conduit 2 also has an invasion mode, in which players can team up with a friend or play alone to shoot down waves of enemies in some of the scavenger hunt maps I mentioned earlier. However, invasion mode seems tacked on, and it’s pretty much just the scavenger hunts in the single player bonus missions, but without the cool items to find, so I don’t see much point in playing it other than to maybe earn some credits for the in-game store. Black Ops’ zombie mode is a far better and bigger diversion, and if High Voltage Software were to put more effort and creativity into it, I’m sure invasion mode could be fun. But even if it were that fun, I wouldn’t have anyone to share it with because it doesn’t have online play. Why? Black Ops’ zombie mode was online. What was stopping this from doing the same? I know I’ve been harping on Call of Duty: Black Ops a lot, but if an game is doing something better, the creators of this one don’t seem to be learning from it.
Invasion mode aside, Conduit 2 only has one shortcoming, and it has nothing to do with the game’s quality. No, almost everything in it from the graphics to the menu screens are polished to a reflective shine. Conduit 2 falters in its quantity. The game leaves me wanting more. There are only 4 of those fun scavenger hunt maps, three of which are just reused for invasion mode, there are only 4 bosses, and an insubstantial number of multiplayer maps. If I had my way, I would want Conduit 2 to have more bosses, a longer story (or at least some buildup to the final battle), more of the scavenger hunt bonus maps, more multiplayer maps, more character image customization options, a better invasion mode, free online communication, and maybe a few more vehicle sections. If Conduit 2 had all of that, the $50 price tag would’ve been more justified and I would probably give it an 8 or even a 9. As it stands, however, Conduit 2 gets a hearty 7.5 out of 10. It’s very fun, and I strongly recommend it to any sci-fi gamer. Now that the game is down in price, it’s a good time to go get it. I know for sure I'm getting the next one.