TV Edits of the Viewtiful Joe Anime: Introduction and blanket changes

 The Viewtiful Joe anime is without a doubt the single greatest anime ever made, based on what was already the greatest game franchise ever made.  It keeps the spirit of the games while changing the plot into a more streamlined narrative and follows up on some of the themes the games explore with how media and super hero stories can project passion and inspire others.  It's a perfect anime, or at least the English version is.

The English version of the anime from Geneon has the talent of some of the best voice actors around and punches up the dialogue to make an already fairly self-aware and funny anime even funnier.  This can probably be attributed to the dub being directed by Bob Bucholz, one of the most prominent English writers of the first two seasons of Digimon, as well as Duel Masters and Bobobo-Bo-Bo-Bobo, all shows that wouldn't be nearly as good without the English script.

While the English dub of the first half of the Viewtiful Joe anime doesn't change a lot, there were changes that had to be made because, like Digimon, it was on a Saturday morning broadcast, subjecting it to Broadcast, Standards and Practices, meaning things had to be adjusted to be allowed to air.

Sea of Thieves and the art of Psychological Warfare

As per the title, Sea of Thives is a game of thievery.  It is a game of fighting and stealing.  You make friends and you make enemies.  The players fighting each other is almost secondary a lot of the time, but when conflict arises you must come out on top.  Most players win the traditional way: with cannons, guns and bombs, but an even better, more effective, way of fighting others players is the less-direct art of psychological warfare.
 
In the United Kingdom there was an elite group of psychological experts whose tactics were used to help cats get out of a catatonic state.  This tactic works just as well with humans, but with the opposite effect: send normal-acting people into a state in which they cannot function or are lacking in function.

This tactic can come in several different variations, but before going out to fight, there are some things you must have prepared.

Shonen Otaku Starts Streaming!

We all know I love sharing my games with others and I've always done that through my writing, but now I have another, additional way to show people all the different things games have to show us.

After figuring out the witchcraft that is streaming software, and after buying a capture card from someone in my local FGC community for cheap, I have started a Youtube channel to stream games on!  Be sure to take a look if you want to see how I play fighting games, how I survive horror games and how I rule the Sea of Thieves as a mighty meme lord.  It should be fun.

Clock Tower Rewind Review

12 years ago I wrote a piece on the original Clock Tower in what was only the 4^th post ever on this blog, where I called it the scariest game ever made.  In a way, that makes Clock Tower kind of special to me.  Since that post I’ve played several different kinds of horror games, from the David Lynch-like Harvester to the competitive horror of Dead by Daylight and the surreal maze chase scares of Dark Deception, so I have a much broader perspective on the genre than I did back then.  I also have a confession to make that affected my view on the game: at the time of that post my fear of Clock Tower was based on my viewing of someone else playing it.  I hadn’t played it myself.  I couldn’t.

Clock Tower was released for the Super Nintendo/Super Famicom in 1995, but wasn’t released in English, which I would normally question, but in this case it makes sense.  The game heavily features a pentagram and ambiguously satanic rituals at a time when Nintendo was very averse to religious symbolism in games on their consoles.  It also had some violence.  There wasn’t much in the way of blood and gore, but this was also a time when Nintendo got up in arms about the bloodless cheese fest that was Night Trap.  I’m not even sure how Clock Tower got a Japanese release, to be honest.

Nintendo got more lax as the years went on, but even Binding of Isaac over a decade later was initially rejected for Nintendo consoles because of its religious themes.  It’s funny how now they publish the Bayonetta games and a remaster of Night Trap is available on their console.

The original Clock Tower would be rescued from Nintendo’s nanny console and got a new version on the PS1 in 1997, shortly after its direct sequel.  The PS1 version added new content and changed some of the visual and audio effects for the worse, in my opinion.

You would think now that Clock Tower was on a system that allowed for more freedom of violence and religious symbolism that it was the perfect time for an English release, but no!  They translated the sequel instead, advertised the sequel like it was the first game and skipped the actual first game entirely!

This was such a baffling move!  Clock Tower 2, as it’s known in Japan, is so obviously a sequel!  It follows the plot points of the original game, directly references the events of the original game and one of the big twists only makes sense if you played the original game!

Sure, Persona 2 did the same thing, skipping the first of its duology, Innocent Sin, and only translating the second, Eternal Punishment, but at least in Persona 2: Eternal Punishment the ambiguity of previous events was part of the plot and in the context of the characters in the game it was a mystery to be solved that the player could follow along with.  Clock Tower 2 expects the players to know the original!  The first game was right there on the same system!

The Clock Tower games would consistently be released in English since the second game, but there was never an English release of the original.  It fell on the fans to make Clock Tower available to play for English speakers with English translated ROM hacks and bootleg SNES reproduction cartridges.  The illegal way was the only way to play, but even though they worked, some of these fan translated versions had the occasiona glitch, especially for the PS1 version, from what I’ve read.  They weren’t the most ideal way to play.

Now with Clock Tower Rewind, we finally have an official English release of the original Clock Tower.  We can finally play it for real and it only took

30

YEARS!

Well, 29, but who’s counting.

Capcom vs. SNK: The King of Arcades: 2017-2019 (Final Round)

This was the period where both company’s arcade releases truly came to a near-close.  That this round starts in 2017 says it all.  Since 2011, neither company made a single game for arcades that wasn’t an updated version of a previous one.  As I stated last time, there were ports, mobile games and console games, but the previous round set a precedent for both companies moving forward: now the console versions of their fighting games would come first.

It’s a damn good thing Capcom followed that precedent in particular because holy shit.  The release of Street Fighter 5 can be debated for being worse than The King of Fighters 12.  Compmared to the low bar that is KOF 12, Street Fighter 5 had fewer characters, fewer features and fewer modes to play, all at the price of a full retail game.  Street Fighter 5 became the target of such mockery and ridicule that people almost forgot about KOF 12.  Almost.

As if to rub it in Street Fighter 5’s face, SNK brought out a new King of Fighters game with a massive 50 characters and a fully featured arcade mode with substantial story content.  I heard stories about Street Fighter players jumping ship to KOF 14 because of how much of a rip-off Street Fighter 5 was.  There’s footage of a pro Street Fighter player telling Capcom representatives to their faces that he was going to go play Guilty Gear instead of Street Fighter 5.  It was really REALLY bad.  It’s the stuff of legends.

That is not the version being judged though.  Capcom continually added to Street Fighter 5 with overpriced DLC until they finally got a feature-rich and complete game re-released as the Champion Edition, which is what came out in arcades.  SNK had already released KOF 14 for arcades with all its DLC included by that point, plus a little spin-off.  With the release of SNK’s 2019 Samurai Shodown game later, we’ll have reached the last arcade game released by either company.  We will finally see if Capcom will cement their lead as the best arcade game manufacturer or if SNK will tie the score.

Live and let die!  Fight!